(New York, NY) Women’s Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the rotating casts for the New York premiere of DEAR ELIZABETH, the inaugural production at the WP’s new theatrical home the McGinn/Cazale Theatre, 2162 Broadway (at 76th Street). Written by two-time Pulitzer Nominee and Tony Nominee Sarah Ruhl (The Oldest Boy, In the Next Room, or the vibrator play) and directed by Kate Whoriskey (Ruined, Sweat), this insightful and impassioned examination of the famed correspondence between Elizabeth Bishop and Robert Lowell – two of the twentieth century’s most brilliant poets – will be presented from October 26 through December 5, 2015 with six rotating casts of stage and screen luminaries.

DEAR ELIZABETH tells a tale of unconventional friendship and intimacy that spanned thirty years and more than 400 letters, with postmarks from Maine to Key West, from London to South America. This portrayal of Bishop and Lowell’s lives, work, and the true nature of friendship will be performed from October 26 – 31 by WP Theater founding artist, Tony Award nominee and Drama Desk, Obie & Outer Critics Circle Award winner Kathleen Chalfant (Wit, Angels in America) & Drama Desk nominee Harris Yulin (Hedda Gabler, Diary of Anne Frank); from November 2 – 7 by Obie Award & Drama Desk Award winner J. Smith-Cameron (Juno and the Paycock, Fuddy Meers) & Obie Award winner John Douglas Thompson (Othello, Satchmo at the Waldorf); from November 16 – 21 by two-time Tony Award winner and Emmy Award winner Cherry Jones (Doubt, “24”) & David Aaron Baker (Once Upon A Mattress, A Raisin in the Sun); from November 23 – 28 by real-life married couple Ellen McLaughlin (Angels in America) & Grammy winner and Pulitzer finalist Rinde Eckert (Slow Fire, And God Created Great Whales); and from November 30 – December 5 Obie & Lortel Award winner Mia Katigbak (Awake and Sing!). Helen Hayes Nominee Polly Noonan (Dead Man’s Cell Phone) will play the “Stage Manager” role for all six weeks. Additional casting to be announced shortly.

The DEAR ELIZABETH design team features Set Design by Antje Ellermann (Abigail/1702, Liberty City), Costume Design by Anita Yavich (Venus in Fur, Fool for Love), Lighting Design by Mary Louise Geiger (The Constant Wife, Buffalo Gal), Sound Design by Jill BC Du Boff (Hand to God, Disgraced) & Emily Auciello (Assoc., Of Good Stock) and casting by Kelly Gillespie (Assoc., Manhattan Theatre Club) & David Caparelliotis (Disgraced, It’s Only A Play).

Tickets for DEAR ELIZABETH are now on sale via WWW.WPTHEATER.ORG /(212) 765-1706. The performance schedule is as follows: Monday – Thursday at 7:30pm, Friday at 8:00pm and Saturday at 3:00pm & 8:00pm.



KATHLEEN CHALFANT (Elizabeth) BROADWAY: Angels in America (Tony and Drama Desk nominations), Racing Demon, Dance With Me. OFF-BROADWAY: Wit (Drama Desk, Lucille Lortel, Outer Critics Circle, Drama League, Connecticut Critics Circle, and Obie Awards), A Walk in the Woods (Drama Desk nomination), Tales from Red Vienna, Miss Ovington & Dr. Dubois, Somewhere Fun, Red Dog Howls, Painting Churches, Talking Heads (Obie Award), Vita & Virginia, Dead Man’s Cell Phone, Spalding Grey: Stories Left to Tell, Bloomer Girl, Nine Armenians (Drama Desk nomination), Far Away, Twelve Dreams, Henry V (Callaway Award). OTHER NY CREDITS: The Vagina Monologues, True History and Real Adventures, Phaedra in Delirium, Iphigenia and Other Daughters, Endgame, The Party, Sister Mary Ignatius…, The Investigation of the Murder in El Salvador. LONDON & LOS ANGELES: Ovation Awards for both Wit and Red Dog Howls. SELECT REGIONAL THEATRE: McCarter, Berkley Rep, Guthrie, Yale Rep, Long Wharf, Yale Repertory Theatre, Arena Stage, Hartford Stage, Mark Taper Forum, ATL, Sundance Lab. FILM: Isn’t it Delicious?, R.I.P.D., The Bath, In Bed With Ulysses, Lillian, Duplicity, The People Speak, Lackawanna Blues, Perfect Stranger, The Last New Yorker, Second Guessing Grandma, Dark Water, Kinsey, Laramie Project, Random Hearts, A Price Below Rubies, Murder and Murder. SELECT TELEVISION Recurring on “The Affair,” “The Strain,” “The Americans,” “House of Cards,” “Rescue Me,” “The Book of Daniel,” “The Guardian,” “Jo,” “Law and Order” and “One Life to Live”; also “Madam Secretary,” “Forever,” “Heartbreaker,” “Elementary,” “Mercy,” “Muhammad Ali’s Greatest Fight” (HBO), “Benjamin Franklin,” “Lackawanna Blues” (HBO), “Georgia O’Keeffe” (Lifetime), “Voices from the White House” (PBS), “A Death in the Family” (PBS), “Storm of the Century”. AWARDS: 1996 OBIE Award for Sustained Excellence, 2004 Lortel Award for Sustained Excellence of Performance, 2015 Lifetime Achievement Award from the League of Professional Women. She has received the Drama League and Sidney Kingsley Awards for her body of work and holds an honorary doctorate in Humane Letters from Cooper Union.

HARRIS YULIN (Robert) has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich’s Arts And Leisure at Playwrights Horizons; Tina Howe’s Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night’s Dream at New York Shakespeare Festival; and Mrs. Warren’s Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin’s directing credits include Horton Foote’s The Prisoner’s Song at Ensemble Studio Theatre; Conor McPherson’s This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich’s Baba Goya (Second Stage), Adele Shank’s Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali’s Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor’s Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.


J. SMITH-CAMERON (Elizabeth) has appeared in numerous theatre productions off and on Broadway. Highlights include Our Country’s Good (Tony® nomination), Sarah, Sarah (Drama Desk nomination), Fuddy Meers (Outer Critics and Drama Desk nominations), and As Bees In Honey Drown (Obie award, Drama Desk, and Outer Critics nominations). Recent credits include a critically acclaimed run as the title character in Juno And The Paycock at the Irish Repertory Theatre in NYC, as well as Richard Nelson’s Sorry and Sweet and Sad (Drama Desk and Obie awards) at the Public and That Hopey Changey Thing by the same author. Also Midsummer Night’s Dream at La Jolla Playhouse and The Starry Messenger by Kenneth Lonergan at the New Group. TV work includes a Series Regular role on SUNDANCE’S “Rectify” and a Recurring Role on HBO’s “True Blood.” Recent film work includes Frank Whaley’s Like Sunday, Like Rain, and J. also stars opposite Anna Paquin in Kenneth Lonergan’s film Margaret, which won her the Best Supporting Actress award for the International Cinephile Society.

JOHN DOUGLAS THOMPSON (Robert) Broadway credits include: A Time To Kill, Cyrano de Bergerac with Kevin Kline and Julius Caesar with Denzel Washington. His off-Broadway credits include: The Iceman Cometh with Nathan Lane and Brian Dennehy at BAM (Obie and Drama Desk Awards); Tamburlaine at Theater for a New Audience (Obie and Drama Desk Awards); Satchmo at the Waldorf (Drama Desk and Outer Critics Circle Award) at the Westside Theater, Wallis Annenberg Center for the Performing Arts, Shakespeare & Co, and Long Wharf Theater; King Lear at the Public Theater; Macbeth (title role); Othello (Obie Award, Lucille Lortel Award, Joe A. Callaway Award) at Theatre for a New Audience; The Forest with Dianne Wiest at Classic Stage Company; The Emperor Jones at The Irish Repertory Theatre (Joe A. Callaway Award and Lucille Lortel, Drama League and Drama Desk nominations); and Hedda Gabler at New York Theatre Workshop. Regional credits include: Joe Turner’s Come and Gone at Mark Taper Forum (Ovation Award); Antony and Cleopatra with Kate Mulgrew at Hartford Stage; Othello, Richard III, King Lear, and Mother Courage at Shakespeare & Co; Jesus Hopped the ‘A’ Train at The Wilma Theater (Barrymore Award) and productions at the Williamstown Theatre Festival, Trinity Repertory Company, American Repertory Theater and Yale Repertory Theatre. His television and film credits include “Madam Secretary”; Bourne Legacy; Glass Chin; “Law & Order”; “Law & Order: SVU”; Conviction; Michael Clayton; Midway and Malcolm X. John is a recipient of the 2015 Samuel H. Scripps Award for extraordinary commitment in promoting the power of language in classical and contemporary theatre, and the 2013 Robert Brustein Award for sustained excellence in American theater.


CHERRY JONES (Elizabeth) starred most recently in the triumphant Broadway revival of Tennessee Williams’ The Glass Menagerie (Tony Nomination), which originated at the American Repertory Theater in Cambridge, Massachusetts, where she is a founding member and where earlier in her career she appeared in more than 25 productions including Twelfth Night, Three Sisters and The Caucasian Chalk Circle. Broadway and Off-Broadway: Doubt (Tony, Drama Desk, Lucille Lortel, Outer Critics Circle and Obie Awards), Lincoln Center Theater’s production of The Heiress (Tony, Drama Desk and Outer Critics Circle Awards); Pride’s Crossing (Drama Desk Award); When We Were Young and Unafraid; The Baltimore Waltz (Obie Award); Faith Healer; Flesh and Blood; Imaginary Friends; A Moon for the Misbegotten (Tony Award nomination); Angels in America; Our Country’s Good (Tony Award nomination); and Roundabout Theatre Company’s productions of Mrs. Warren’s Profession, Major Barbara and The Night of the Iguana. Television: President Allison Taylor in “24” (Emmy Award), “What Makes a Family,” “Awake,” the next season of “Transparent” on Amazon, the upcoming series “Mercy Street,” and the upcoming mini-series “11/22/63” starring James Franco. Film: Ocean’s Twelve, Cradle Will Rock, The Horse Whisperer, The Perfect Storm, Erin Brockovich, Signs, The Village, Mother and Child, Swimmers, the upcoming films I Saw the Light, and Fun House opposite Tina Fey.

DAVID AARON BAKER (Robert) is thrilled to once more share the stage with Cherry Jones after playing her husband in Jon Robin Baitz’s play, The Film Society, directed by the late Roger Rees, at The Williamstown Theater Festival in 1997. David had the great fortune to work with Sarah Ruhl in 2008, when he performed in the Playwrights Horizons production of her play Dead Man’s Cell Phone. He is honored to work again with these extraordinary artists. David attended Illinois State University, received a Bachelor of Fine Arts degree from the University of Texas – Austin and a diploma from The Julliard School.

ELLEN MCLAUGHLIN (Elizabeth) Acting work includes originating the part of the Angel in Angels in America, playing the role in workshops and regional productions through its Broadway run in 1993-1994. Other favorite work includes the Homebody in Bart Sher’s production of Homebody/Kabul (Intiman, Seattle, WA), Pirate Jenny in A Threepenny Opera (Trinity Rep. Elliot Norton Award), Claire in Albee’s A Delicate Balance, (Arena Stage, Yale Repertory Theater), Margie in Good People (George St. Playhouse. Seattle Rep.) and Rosemary in Outside Mullingar (George St. Playhouse.) New York credits include: String of Pearls (Primary Stages), Blue Window (Manhattan Theater Club), and A Bright Room Called Day (Public Theater). Television work includes several appearances on “Law and Order”. McLaughlin is also a playwright.

RINDE ECKERT (Robert) is a writer, composer, librettist, musician, performer and director. His Opera / New Music Theatre productions have toured throughout America and to major theater festivals in Europe and Asia. Eckert began his career as a writer and performer in the 1980’s, writing librettos for Paul Dresher (Pioneer, Power Failure, Slow Fire, Ravenshead). He composed dance scores for choreographers Sarah Shelton Mann and Margaret Jenkins, including the evening-length Woman, Window, Square for The Margaret Jenkins Dance Company. Rinde began composing and performing his own music/theater works in 1992 with The Gardening of Thomas D, an homage to Dante which subsequently toured the United States and France. Staged works for solo performer include Becoming…Unusual: The Education of an Eclectic; three one-act plays: An Idiot Divine, Romeo Sierra Tango and Quit This House; and works for radio including Shoot the Moving Things and Four Songs Lost in a Wall. Writing credits for the theater include Highway Ulysses, Horizon, Orpheus X, And God Created Great Whales, which has been produced three times with the original cast and director, for a total of 227 performances. And God Created Great Whales, Horizon and Orpheus X have run off-Broadway, garnering Drama Desk Nominations and the Lucille Lortel Award. Rinde has received numerous honors and awards for his body of work. In 2012 he was named an inaugural Doris Duke Artist, was honored to receive the 2009 Alpert Award in the Arts for Theatre, a 2007 Guggenheim Fellowship, and The American Academy of Arts and Letters 2005 Marc Blitzstein Award. In 2007 Rinde Eckert was the finalist for the Pulitzer Prize in Drama. Eckert wrote the text and performed in the multi-media production Slide with composer/guitarist Mackey and the new music ensemble 8th blackbird, which toured to major university campuses and the Ojai Festival. Renamed Lonely Motel by Cedille Records, the project won the 2011 Grammy Award for Best Small Ensemble Performance. Eckert and Mackey are members of BIG FARM, a ‘prog-rock’ super group with drummer Jason Treuting (So Percussion) and bassist Mark Haanstra. Rinde Eckert’s own uniquely eclectic music is released on Germany’s Intuition label and through Songline/Tonefield Productions.


MIA KATIGBAK (Elizabeth) NYC: Most recent: Awake & Sing! NAATCO (Obie Award); Washeteria (Soho Rep); A Beautiful Day in November…Great Lakes (New Georges/Women’s Project), Scenes from a Marriage (New York Theater Workshop). Other NYC: Public Theater, Foundry Theater, Civilians, Ma-Yi, Target Margin, Clubbed Thumb, Intar, Pan Asian Rep. Regional: Berkeley Repertory Theater (CA), Swine Palace (LA), Guthrie (MN). International: Manila, Philippines; Abu Dhabi, UAE. Film: I Smile Back, Clutter, Slow Jam King. TV: “Mysteries of Laura,” “Chicago PD,” “Conviction.” Artistic Producing Director and co-founder, NAATCO (National Asian American Theatre Company). Founding director, CAATA (Consortium of Asian American Theaters & Artists). Other awards: Lucille Lortel, Lee Reynolds Awards (League of Professional Theatre Women); Actors Equity’s Rosetta LeNoire Award, in recognition of her “artistic contribution to the universality of the human experience in the American theater”; New Dramatists’ Charles Bowden Actor Award. BA, Barnard College; MA, Columbia University.

POLLY NOONAN (Stage Manager) has worked on many of Sarah Ruhl’s plays, including In the Next Room, or The Vibrator Play (Victory Gardens Theatre, Jeff nomination), Late, A Cowboy Song (Piven Theatre Workshop), Dead Man’s Cell Phone (Woolly Mammoth Theatre, Helen Hayes nomination; Steppenwolf Theatre Company; Mosaic Theatre), Passion Play (Arena Stage, Helen Hayes nomination; Goodman Theatre, After Dark Award, Jeff nomination; Yale Rep Theatre, Epic Theatre Ensemble), Eurydice (Madison Repertory Theatre; Piven), Melancholy Play (Piven; Echo Theater Company), and Orlando (Piven; The Actors’ Gang). Her other credits include A Brief History of America (Drama League Directors Project), Careless Love (Soho Rep), Brilliant Traces, American Voices (Piven); Methusalem, Accidental Death of an Anarchist, The Balcony (New Criminals); Ajax (Theater of War); and development of new work at Sundance, Geva Theatre Center, New Dramatists, Soho Rep, Sewanee and REDCAT. Film credits include Welcome to Me, Novocaine, High Fidelity, Arizona Dream, and Ferris Bueller’s Day Off. Polly is on the cover of the Lemonhead’s album It’s a Shame About Ray and can be heard on track 11 of Lovey.

WOMEN’S PROJECT THEATER (WP) is the nation’s oldest and largest theater company dedicated to developing, producing and promoting the work of female theater artists at every stage in their careers. WP Theater supports female-identified theater artists and the world-class, groundbreaking work they create, and provides a platform where their voices can be heard and celebrated on the American stage.
Founded in 1978 by visionary producer, Julia Miles, WP has been the launching pad for many of our nation’s most important theater artists. Eve Ensler, María Irene Fornés, Katori Hall, Pam MacKinnon, Lynn Nottage and Leigh Silverman, among many, many others, all found early artistic homes here. Throughout its 38 year history, WP has produced over 600 main stage productions and developmental projects, and published 11 anthologies of plays. No other producing institution in the country can claim this kind of ongoing history of advocacy and support for women in the theater, and we look ahead to the next generation of artists who will also begin their careers here.
WP Theater accomplishes its mission through several fundamental programs: the WP Lab, a two-year mentorship and new play development program for women playwrights, directors, and producers; the Playwright In Residence commissioning program; the Developmental series; and the Main Stage series, which features a full season of Off-Broadway productions written and directed by extraordinary theater artists.

LISA MCNULTY (Producing Artistic Director). Lisa is in her second season as Producing Artistic Director of Women’s Project Theater. Lisa comes to WP from MTC, where she served as Artistic Line Producer for eight seasons, working on more than 30 productions both on and off Broadway, including plays by Lynn Nottage, Sarah Treem, Harvey Fierstein, and Tarell Alvin McCraney, among many, many others. Lisa has a long history with WP Theater. She was originally hired by the company’s founder, Julia Miles, as the Literary Manager from 1997-2000, where she dramaturged work by María Irene Fornés, Julie Hébert, and Karen Hartman, among others, and in 2004, she returned to WP as its Associate Artistic Director. From 2000-2004 she was McCarter Theater’s Producing Associate, and her independent producing career includes projects with Sarah Ruhl, Todd Almond, and Lucy Thurber.

MAUREEN MOYNIHAN (Managing Director) Maureen started her career in Chicago working for the Steppenwolf Theatre Company and commercial producer Fox Theatricals. Prior to joining WP Theater, Maureen spent over a decade working for Blue Man Productions in several positions including serving as their Executive Director for five North American Productions. Since moving to New York, she has worked for several nonprofit and commercial organizations including Manhattan New Music Project, York Theatre Company and the immersive theatrical experience Queen of the Night.